I am trying to learn more about color, so I interviewed Richard Allen Crook.
Richard is a cinematographer, editor, steadicam operator and has own awards for his projects such as the Best Narrative Film at the California Film Festival.
I watched Richard’s color demo he has on Vimeo and I was blown away on how he could push the color around anyway he wanted. I didn’t know you could stretch the color like that, I always thought you had to make small changes. Richard makes it look easy, which I can tell you it is not. Also some of you might know Richard from his picture style called Crooked Path Flat.
Podcast (you can Subscribe on ITunes as well)
(Sorry the audio quality is not up to my normal standard, I hope to improve that soon).
Questions I Asked Richard:
- For those who don’t know you, can you give us a little background on what you do?
- Do you always use your flat setting, or does it depend on the lighting and contrast of each situation?
- In Premiere there are many ways to adjust levels, which one do you use?
- Break down the window light desk setup from your demo reel. Software used, each filter, work-flow order.
- Break down outside shoot, what filter used on the sky without adding noise?
- What is done better sharpening in camera or Premiere?
- Does the order matter when adding effects in Premiere?
- What does 8 bit 4:2:0 color space mean?
- Favorite recent movie or TV show that influences how you color?
- Which Magic Bullet Looks should I get?
- What exercises can I do to become better at coloring?
- ND filters? Do you use polarizer filters at all?